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Staff

Dorothy Milne - Artistic Director
Dorothy has been the Artistic Director of Lifeline Theatre since 1999 and an ensemble member since 1992. She has directed twenty productions at Lifeline, receiving a Non-Equity Jeff Award (Direction) for Around the World in 80 Days in 2003; and Non-Equity Jeff Nominations (Direction) for Pistols for Two, Jane Eyre (for which she also received an After Dark Award), Strong Poison, and Gaudy Night. She most recently directed The Mark of Zorro for the MainStage and The Last of the Dragons for our KidSeries. Outside of Lifeline, she directed Stardust, Little Brother, and No More Dead Dogs for Griffin Theatre, and in 1992 she received an Equity Jeff Nomination for her direction of Eleemosynary at Interplay Theatre Company. Dorothy is also a 17-year member of the writing-performing collective Sweat Girls, which performs in Chicago and nationally.
Allison Cain - Managing Director
Allison was the Executive Director of The Factory Theater from 2001-2008, and the Artistic Director of Studio 108 from 1991-1998. She received her training at Carnegie Mellon University in Pittsburgh, PA and Columbia College in Chicago and has worked almost exclusively on new work since 1990, in Los Angeles, Connecticut, Scotland and Chicago. For 25 years, Allison had concurrently been working in the corporate world, 13 of those years as a Human Resources professional. Allison is thrilled to have made the full-time transition to the not-for-profit theater world where she remains committed to the production of new works. Lifeline audiences will recognize Allison from her performances in Johnny Tremain, Crossing California, The Mark of Zorro and Mariette in Ecstasy. She has also been seen in numerous productions with The Factory Theater and other fine theaters throughout the Chicagoland area over the past 19 years.
Robert Kauzlaric - Marketing Director & Casting Director
Robert is a member of Lifeline’s artistic ensemble and has been acting, writing, and directing with the company since 2000. Before joining the Lifeline staff in 2008, he spent eight years in group sales and marketing in the hospitality industry, and five years as a freelance website designer and webmaster. Also a playwright, Robert has written twelve theatrical adaptations which have been produced in eighteen states around the U.S., as well as in Ireland, England, and Canada. His adaptation of H.G. Wells’ The Island of Dr. Moreau received five Non-Equity Jeff Awards, including New Adaptation and Best Production; his adaptation of Neil Gaiman’s Neverwhere received the Non-Equity Jeff Award for New Adaptation; and his version of Oscar Wilde’s The Picture of Dorian Gray was nominated for New Adaptation. He was commissioned by the Illinois Shakespeare Festival in 2010 to produce a new adaptation of Dumas’ The Three Musketeers, and two of his plays are published by Playscripts, Inc.
Lea Pinsky - Director of Education
Lea began her professional arts career in theatre by earning her BFA at NYU and acting on Broadway in the 1997 Tony-winning revival of A View From the Bridge. She then returned to Chicago to pursue an MA in Performance Studies at Northwestern University, and transition her career to arts education. Over the last 10 years in Chicago, she has managed and taught youth arts programs with Columbia College Chicago, Urban Gateways, the City of Evanston, Chicago Humanities Festival, After School Matters, Art Encounter, and Steppenwolf Theatre. As a teaching artist, she focuses on murals and beautification projects for schools and community spaces.
Alex Kyger - Development Manager
Alex moved to Chicago in 2006 from the island of Bahrain, quickly becoming embedded in Chicago’s theater community as a performer, administrator, and producer. He received his BFA in Theater with honors from the Chicago College of Performing Arts at Roosevelt University, serving as Development Apprentice at Redmoon Theater while pursuing his studies. Upon graduating, Alex joined Red Tape Theatre as a member of the artistic ensemble and the company’s first Director of Community Engagement. Concurrently, he served as the Executive Producer of the fledgling Les Enfants Terribles (LET) company, establishing LET as a 501(c)3 nonprofit organization and securing the ensemble a spot in the 2011 New York International Fringe Festival, where it received a Fringe NYC Excellence Award for Best Ensemble. Before joining Lifeline staff, Alex served as American Theater Company’s Development Associate, where he cultivated increased grant support for the theater’s education and mainstage programming and launched a major giving campaign to raise funds for ATC’s Youth Ensemble.
Erica Foster - Operations Manager
As Lifeline's Operations Manager, Erica is in charge of all audience services and oversees the entire front-of-house staff. Erica has stage managed numerous MainStage productions at Lifeline, including Watership Down, Neverwhere, Treasure Island, The Mark of Zorro (both the original production and the remount at Theatre Building Chicago), Queen Lucia: A Musical Romp (which she also assistant directed), Johnny Tremain, The Talisman Ring (2005), The Sirens of Titan, The Killer Angels, The Shadow, Around the World in 80 Days, Cat's Cradle and Cooking with Lard. For the KidSeries, she has stage managed Snowflake Tim's Big Holiday Adventure, Click, Clack, Moo: Cows That Type, and The Rescuers.
Cortney Hurley - Production Manager
Cortney is thrilled to join the Lifeline team for the sixth season in a row. Previous production management positions include the last five seasons at Strawdog Theatre, where she PMed a variety of shows including The Master & Margarita, Red Noses, Cherry Orchard, Lie of the Mind, and Marathon ‘33; Ellen Under Glass with the House Theatre of Chicago; and One False Note with Plasticene. She currently serves as the General Manager of Strawdog Theatre.
Joe Schermoly - Technical Director
Joe is a set designer, technical director and painter. His design work has been seen around Chicago at Lifeline Theatre (The Count of Monte Cristo, The Moonstone), Griffin (No More Dead Dogs, Port, The Constant Wife), Strawdog (Master and Margarita, Richard III), Sinnerman Ensemble (Sweet Confinement), Eclipse (The Trestle at Pope Lick Creek) and more. He has also designed and built shows in London for The Finborough, Bush, and Gate theatres among others. Joe studied set design at Northwestern University and has received two After Dark Awards for his design work in Chicago. See more at www.joeschermoly.com.
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