There has been some discussion in the blogosphere of late on the role of an acting ensemble, lots of debate on that mysterious question of what ensemble members are entitled to expect. From Our perspective, I think we naturally look at each other first as a group of artists we respect, that we want to support, collaborate with, and help to develop each other’s skills.
In early discussions with Frances Limoncelli on Busman’s Honeymoon, she made it clear to me that she wished for the Lifeline ensemble to be as integrated as possible into the production. This presented an exciting opportunity: Peter Greenberg and Jenifer Tyler would naturally resume their roles as Lord Peter and Harriet Vane (now Lady Peter Wimsey!), to the joy of our fans of the Sayer’s series of plays adapted by Frances and presented at Lifeline over the years (Whose Body? in 2002, Strong Poison in 2004, and Gaudy Night in 2006). The remaining cast of characters offered some choice roles to our ensemble of actors and I was determined to find ways to invite them in where I could. I was not able to find a place for everyone interested in the show, but I was able to tap Jim Grote, Rob Kauzlaric and Phil Timberlake for the production.
We’ve been rehearsing for several weeks now and having a team of easy collaborators like us around has been a challenging and productive process. Challenging due to the fact that I am one of the newer kids on the block (I feel like I only just joined the collective, though I’ve been official for two and a half years now), and having a constantly open and collaborative process means continual honest evaluation and discussion of the work – the piece as a whole and the individual experiences/processes of each and every one of the actors. Productive for the same reasons, however. The non-ensemble cast (all people I’ve had the good fortune to work with before) has taken on the collaborative spirit of the rest of us and there is a game and open atmosphere for discussion and problem-solving really being developed. As we prepare to move downstairs from the rehearsal room to the set, we’re in a great place to find our maneuvers in the new geography together. And that collaboration, part of the core spirit of our company, will usher us into getting ready for tech.